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All posts in April, 2024

by Ken Field / The New Edge

The New Edge features a cross-genre mix of creative instrumental music that does not always fit neatly into genre boxes.

For Show #905, airing on April 30th, 2024, we will hear work from the Jazz Defenders, a group led by UK pianist George Cooper. Their most recent release on the ITI Records label is “Memory in Motion.” We’ll listen to a great groove track called “Take a Minute” to kick off the show. From there, several pieces from the great woodwind player Shabaka Hutchings, here mostly on flute, but also on saxophone and clarinet.  The release is “Perceive Its Beauty, Acknowledge Its Grace.” The album features an amazing cast of musicians, including Jason Moran, Nasheet Waits, Brandee Younger, and harpist Charles Overton, who is based in the Boston area.

An early June release is scheduled for saxophonist Oded Tzur’s latest on ECM, “My Prophet,” with a great group of Nitai Hershkivits, Petros Klampanis, and Cyrano Almeida. We’ll listen to three tracks from this stunning album. After that it’s another saxophonist, Nicole Glover, whose album on Savant Records is called “Nicole Glover Plays.” And indeed she does, with proficiency and passion. I’ve included a somewhat more sedate piece for this show: “The A-Side.”

We’ll move on from there to some exquisite work from pianist Noah Haidu in a trio setting with Buster WIlliams and Billy Hart. From the Sunnyside release “Standards II” we’l hear a beautiful interpretation of “Over the Rainbow,” followed by the lovely standard “Someone to Watch Over Me.” Canadian bassist Mike Downes closes this third set of the program with two tracks from his self-released album, “The Way In.”

Closing the program in our fourth set, we’ll hear from the Italian guitar/bass duo of Michele Fattori and Marcello Sebastiani, with the title track from their Edizioni Notami release “Gavagai,” followed by sound artist Kory Reeder’s “Duo” from his Full Spectrum album ”If the Thought Evaporates.”  We’ll close with Chicago-based drummer Kabir Dalawari and his ensemble performing ”Turbulence,” from ”Last Call” on the Shifting Paradigm label.  It’s my guess that this piece was very possibly inspired by an unnervingly bumpy flight!

The program will be archived for two weeks after the April 30 broadcast date on the WMBR website.

Photo of costume exhibit
Hallyu! The Korean Wave exhibition at the Museum of Fine Arts, Boston; Ann and Graham Gund Gallery; Photograph © Museum of FIne Arts

by Bruce Sylvester / Troubadour

A few years ago in the wake of the Korean War, South Korea was known as a land of rubble and poverty. But not any more as it’s emerged as an epicenter of pop culture – music, dance, film, fashion. The Museum of Fine Arts is hosting Hallyu! The Korean Wave, whose 250 or so items show the nation’s move to flashy, fun modernity – often reflecting consumer culture’s globalization, but occasionally showing Korea’s forward-looking art incorporating elements of its cultural tradition, like an elaborate recently created suit of armor whose inspiration from bygone centuries may have been meant for show rather than function.

Boston’s Museum of Fine Arts is the first American stop for this show curated by the Victoria and Albert Museum in London. We see photos, videos, fashion items, costumes, and even the recreation of a room in Oscar-winning Korean film Parasite, which, frankly, could have been set in this country just as well as in Korea. It’s a global world now, with K-pop music and dance cresting a wave of popularity. We see the pink suit jacket PSY wore in the video of his hit “Gangnam Style,” the first YouTube video ever to get a billion views.

For interactivity, we can learn K-pop dance steps.

Some of the photography deals with the Korean immigrant experience in America. Another shot features a huge array of pink consumer items. South Korea reportedly leads the world in cosmetics exports.

Maybe it’s realistic for one large exhibit to resemble a very high-end clothing store for well-heeled, adventuresome young people.

Sure, the show’s fun, and, in some ways, it’s social commentary. But mostly it’s fun. HALLYU! THE KOREAN WAVE is at the Museum of Fine Arts through July 28.

PSY performs Gangnam Style, on Today, 2012, New York, USA; Courtesy of Jason Decrow, Invision, AP, Shutterstock; Courtesy Museum of Fine Arts