Van Gogh at the MFA
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A friendship Vincent Van Gogh formed in his final years is the cornerstone of a new MFA show.
by Bruce Sylvester / Troubadour, Thursdays 2 – 4 pm

The Bedroom, oil on canvas, by Vincent Van Gogh, 1889. The Art Institute of Chicago, Helen Birch Bartlett Memorial Collection
Wild slashes of brush strokes and vibrant color marked some Vincent Van Gogh paintings, though there were other sides to his work too. In 1888 the emotionally troubled Dutch artist left the artistic hotbed Paris to move to the relative calm of Arles in southern France. After months of social isolation, he made friends with a postman, Joseph Roulin, in a cafe and went on to do a series of 26 portraits of him, his wife and three children.
Thirteen of them are the cornerstone of a new show at the Museum of Fine Arts, Van Gogh: The Roulin Family Portraits, where we glimpse bits of his daily world in the two years leading up to his suicide at age 37 in 1890.
As the MFA tells us, “We don’t know why Van Gogh decided to move to this particular town in Provence, but the slower pace of life and lower cost of living in southern France were likely appealing, as were the brighter sunlight and warmer weather.” The yellow house where he lived and worked was destroyed by World War II bombing, but we see his painting of it along with pictures of his bedroom and chair.
We enter the show to the music of Berlioz, which he called art for disturbed hearts. Then we meet monsieur Roulin, resplendent in his postal uniform and exuding pride over the birth of his third child, his first daughter, earlier in the day he sat for the portrait.
The next room shows us the three children, each alone. Looking straight ahead we can savor a strategically placed portrait of madame Augustine Roulin. The unseen end of a cord in one rendition of her upper body and face was in reality tied to a cradle for rocking baby Marcelle. Multiple paintings of a single working class family were unusual for the period. Such portraiture was usuallyfor nobles and the wealthy.
The context of the show is enhanced by photos of various Moulins in later years. Father Joseph’s distinctive appearance remains the same over time. Marcelle became one of the last people alive who had been around Van Gogh. An informal photo from her senior years shows her standing with her portrait.
He took artistic liberties with settings in the portraits: sometimes bold-hued solid blocks, sometimes floral patterns in the background, sometimes both. Do the colors and style reflect the mood and vibe of southern France? Certainly more than they would the Paris he left behind. A self-portrait done in Arles suggests a more peaceful state of mind than one done during his Paris days. But that was not the case. We see 10 letters with accompanying translations from Joseph Roulin to Van Gogh and his brother Theo concerning his mental state and institutionalization. It was in Arles that he cut off an ear.
Along with the Roulin pictures, there are natural scenes (one quite arresting) and religious works. Remember, Vincent had previously attempted a career as a minister. As with the recent Salvador Dali show at the MFA, we get added context with the inclusion of a few pieces by earlier artists such as a religious Rembrandt that could well have influenced Van Gogh. The Dali exhibit did this more effectively, perhaps because it was easier to do with Dali.
With 14 of the original 26 Roulin portraits, the show at its core is about a friendship that Van Gogh surely needed given his mental and financial states.
Van Gogh: The Roulin Family Portraits is at the Museum of Fine Arts through September 7. Admission tickets are for timed entry.
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Remembering the Organist and Pianist Bill Doggett on his Birthday
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by John Funke / Backwoods, Saturdays 10 am – noon
Coming from the world of jazz and swing, Bill Doggett was responsible for Honky Tonk, one of the biggest hits of the rock ‘n’ roll era. Born in Philadelphia in 1916, Doggett’s talents as a pianist and arranger kept him busy working for Lucky Millinder, the Ink Spots, and Louis Jordan, among others. In 1951 Doggett, having mastered the Hammond organ, formed a trio and began recording for King Records in Cincinnati. In 1956 Doggett’s recording of Honky Tonk, a loping rhythm and blues instrumental co-written with guitarist Billy Butler, became a massive hit, selling over 4 million copies and topping both the R&B and pop charts. The song has endured, becoming a rhythm and blues standard with Billy Butler’s guitar solo and Clifford Scott’s saxophone solo remaining textbook examples of the genre.
Other hits followed and Doggett kept recording and touring until his death in 1996. No matter when or where, Honky Tonk always brought the good times as evidenced by this TV performance from Paris in 1972.
And of course Bill Doggett can always be heard on WMBR every Saturday morning providing the theme music for that annoying radio show, Backwoods. Don’t mention that name!
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Remembering the Legendary Bluesman Magic Sam on His Birthday
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by John Funke / Backwoods, Saturdays 10 am – noon
Today we celebrate Magic Sam‘s birthday. His gospel-influenced vocals and raw, propulsive guitar playing set a new standard for electric blues that remains to this day. Born in Grenada County, Mississippi in 1937, Sam Maghett eventually moved to Chicago and began playing in clubs in 1956. Along with Otis Rush and Buddy Guy, Sam developed a style combining soaring vocals and fiery guitar playing that became known as the West Side Sound. Recording singles for Cobra Records in 1957, Sam cut the first version of his classic All Your Love along with 21 Days in Jail, a storming slice of black rockabilly.
Sam broke through to a wider audience with the release of West Side Soul on Delmark Records in 1968. A classic album that has become a cornerstone of many a blues collection, West Side Soul is a hot session that showcases Magic Sam’s modern approach to a set of covers, his rocking version of Sweet Home Chicago is definitive.
Gaining acclaim with performances on college campuses and at blues festivals, Sam was poised for further popularity when he died in December 1969, felled by a heart attack. We’re fortunate to have a filmed interview and performance from Sam’s tour with the American Folk Blues Festival in Germany from 1969. His humility, good looks, and awesome talent are on full display conjuring a star power that shone too briefly. Happy Birthday Magic Sam!
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